“I’m not sure at what point ‘Tarantino’ turned from a famed director into a genre of music, but here we are in 2018 with a record that can comfortably be described as peak Tarantino. ‘Mattiel’ is a familiar cocktail of dusty horns, dustbowl blues and Dusty Springfield-style ’60s pop that almost screams out for accompanying widescreen vista or Mexican standoff. There’s even the odd production choice of ending songs while they’re in the process of fading out, as if to cut to the next scene.” Source
